#MY FUNNY VALENTINE HARMONIC ANALYSIS PDF#

The last A has 12 bars, making the tune 36 bars total, similar to All the Things You Are. What is the Form of the Tune? How many bars is My Funny Valentine? The harmonic progression of the A area is led by a chromatically descending largemouth bass series that changes each chord (relatively reminiscent of ln A.

#MY FUNNY VALENTINE HARMONIC ANALYSIS PDF#

pdf with both versions of the changes.Ĭomparison of Chet and Miles-Chord Changes on My Funny Valentine (.pdf) Two of the most influential recordings are the Miles Davis and the Chet Baker version below. For this reason, I will cover the changes on several versions, and I also give my own, which are generally from Sarah Vaughan’s version, but contain elements from other recordings. However, beyond this the various recordings are very different harmonically.

The tune is typically done in C minor, but the bridge goes the relative major, in Eb. What I’ve noticed is that there are quite a few interpretations of the chord changes on this particular tune, and it’s difficult to know what the “real” changes are. I even found versions of people like model Michelle Pfeifer doing this song. This is one of the most common standards of all time, and it seems to transcend jazz. Judy Garland, who should have sung My Funny Valentine in the original film. The musical was made into a film starring Judy Garland and 19-year-old Mickey Rooney, in 1939, although they cut My Funny Valentine out of the movie.

It’s from “Babes In Arms,” a 1937 musical from which the standards “Where or When” and “The Lady is a Tramp” also originated. Who knows, occasionally you might even play some triadsbut do you ever play diads I believe that diads, which are simply 2 note chords. If you’re like most guitarists, you probably resort to 4 part voicings most of the time when playing chords. My Funny Valentine was written by Richard Rogers and Lorenz Hart (before there was Rogers and Hammerstein). by Richie Zellon Chord Melody, Jazz Standards.

My funny valentine harmonic analysis